Zhong Biao's unique work approach demonstrates that his cultural attitude is entirely different from that of previous artists. Be it political bop or gaudy art, what they were eager to put across was their own attitudes, criticizing either ideology or commercial culture. Zhong Biao seems to keep distance from this sort of criticism. In his works we find calmness unique to intellectuals. What he broods over is not how to criticize, but where our evidence for criticism comes from and how their meanings have undergone changes. Zhong Biao's contemplation over China's pop culture and mass culture, we find a new cultural attitude. It is unlike artists concerned with pop culture who either mix their works with real pop culture under the pretext of a particular concept or criticize mass production of pop culture as artists defend old handcraft. It is possible that art based on handwork and individual production is not a match to real mass culture and its media.

　　The relationship between art that criticizes mass culture, in the name of art and mass culture itself is more like that between a fly bat and a big fly. In Zhong Biao's works, we can see through the setting of illusions and the incompletion in the images that he gives up not only the antagonistic relations between art and mass culture, but also the attempt to control mass culture. Ultimately he finds, through "visualization," a space for art in a place where there is no influence of mass culture.