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Chen,
Ci-Kwan is a successful architect and excellent
painter. To play both roles well and achieve what
he has achieved is indeed a rare example globally
or domestically. Moreover, he is also a great
collector with a good collection of Asian, European
and American artworks.
In the process of creating,
he transgresses the regional and national borders
and weaves both Chinese and the Western languages
into his works. He applies the techniques of architectural
drawings, his keen observation and good command
of proportion and perspectives to his paintings.
In the field of Chinese paintings, he develops
a whole new direction with his unique view and
uncovers the sense of the modern.
Tradition and modern, activity
and passivity, are all harmoniously displayed
in Chen's works. He prefers the landscape within
landscapes*, simple elements transcend time and
space. The mind follows the heart. Within the
frame of a painting, he can move freely from the
ancient to the present, form the interior to the
end of the world. |
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The world of light and shadows
reflect the waves of city lights and vague skylines.
In the crowd of pigeons in the sky, the painter
glances at the glittering sunlight. The broad
vision of the sun and the moon, the mountain and
the chasms are actually what he saw from the airplane.
A Chinese literati with a mind of Western open-mindedness
and sense of humor, he often expresses deep meanings
in his apparent simple works. His themes might
a monkey family or very delicate *pointed figures
or even mosquitoes.
No matter if they are exquisite
small-scale works or long scrolls of broad cosmos,
Chen's works often manifest sophistication within
simple touches. They may look natural and fluent,
yet every stroke is precise and exact. Whether
you look at them closely or from a distance, you
can always find their beauty. If you look at the
paintings from a distance, you can capture the
grandeur and power and the exact and precise composition;
if you look closely, you may be struck by their
discretion and magnificent skills. Giving up the
solely 'horizontal perspective', he applies 'supine
angle', 'prone angle' and 'turning angle' to develop
new ways of looking and putting into perspectives.
Based on the old tradition, he is not restricted
by it but transforms, reorganize, re-create the
old forms, and finally return to the world.
Such
an understanding of life and the cosmos originates
from his keen observation of nature, which is
also the element in his painting. Whether his
paintings are the mansions, landscapes, human
figures, arch bridges, flowers and trees, we can
always find part of the painting as a starting
point: follow its touches and strokes, we seem
to travel with the artist and experience such
transcendental tranquility.**From a static point,
the lines seem to become dynamic and take us into
the world of the painting and lead us to change
our viewpoints. We trace the line and think that
we have reached its end, but surprisingly, it
turns and twists and presents us with another
world. The blank also creates a flowing space
that extends our viewpoints to infinite possibilities.
Our imagination is thus expanded and sensibility
sharpened. We seem to enjoy a fuller life through
such appreciation.
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1921 |
Born in Beijing |
1937 |
The Lu-gou Bridge Battle
soon exploded. Wang Pan-youn, who had been
in his hometown in Jiang-su. |
1944 |
Bachelor of Architecture
Engineering, National Central University,
Chungking. |
1946 |
After passing through
many places, Wang arrived at Zhen-jiang and
started to teach at the Dan-Yang Middle School. |
1947 |
Went to Shanghai. But
as the civil war continued to rage, he could
not find a place to live and temporarily had
to stay in a refugee camp. |
1949 |
Master of Science in Architecture,
University of Elinois. |
1951 |
Worked with Gropius
and the Architects Collaborative (TAC), Cambridge,
Massachusetts. |
1952 |
M.I.T. Instructor of Architectural
Design. |
1954 |
Designed Tunghai
University Master Plan (Associate Architect
I.M.Pei, C.K.Chang) |
1960 |
Appointed Chairman, Architecture
Department, Tunghai University, Taiwan. |
1980 |
Appointed Dean of The
College of Engineering, Tunghai University,
Taiwan. |
2007 |
June 5, died at the age of 86 in San Francisco. |
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Solo Exhibitions
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2003 |
Painting and Architecture
of Chen, Ci-Kwan in Taipei Fine Arts Museum. |
2000 |
Solo Exhibition, "A
Retrospective: Chen Chi-kwan at the Age of
Eighty," Beijing and Shanghai. |
1999 |
Solo Exhibition, Ashmolean
Museum, oxford University. |
1998 |
Solo Exhibition, Art Center
of National Central University. |
1996 |
Solo Exhibition, Museum
fuer Ostasiatische Museum, Berlin. |
1991 |
Solo Exhibition, Rietberg
Museum Zurich, Switzerland.
"Chen Chi-kwan Retrospective,"Taipei
Fine Arts Museum. |
1984 |
Solo Exhibition, Honolulu
Academy of Arts Center. |
1980 |
Solo Exhibition, National
Museum of History, Taipei. |
1977 |
Solo Exhibition ,"Inner
Eye of Chen Chi-kwan," Art Gallery of
Greater Victoria, B.C.Canada. |
1974 |
Solo Exhibition, Hong
Kong Art Center. |
1969 |
Solo Exhibition, San Francisco
Redevelopment Agency. |
1964 |
Solo Exhibition, Mi Chou
Gallery, New York |
1963 |
Solo Exhibition, Mi Chou
Gallery, New York. |
1962 |
Solo Exhibition, "A
Decade in Retrospect," The University
of Michigan Museum of Art. |
1961 |
Solo Exhibition, Mi Chou
Gallery, New York / Solo Exhibition, Design
Research, BostonSolo Exhibition, Columbia
University, New York. |
1955 |
Solo Exhibition, Margaret
Brown Gallery, Boston / Solo Exhibition, Weyhe
Gallery, NewYork / Solo Exhibition, The Lamont
Gallery, Phillips Exeter Academy. |
1954 |
Solo Exhibition, Margaret
Brown Gallery, Boston / Solo Exhibition, Weyhe
Gallery, New York. |
1952 |
Solo Exhibition, M.I.T.
Chmnridge, Massachusetts / Solo Exhibition,
Margaret Brown Gallery, Boston |
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Group Exhibitions
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1994 |
Group Exhibition "
Chinese Modern Ink Painting, "Taiwan
Museum of Arts.
Group Exhibition, Inaugural Exhibition of
Kaohsiung Museum of Fine Arts. |
1992 |
The Second " International
Ink Painting Exhibition," Shen Zhen. |
1989 |
Group Exhibition, Lo Shan
Tang Collection, Hong Kong and Taipei. |
1988 |
Group Exhibition"
International Ink Painting in Beijing"
sponsored by Chinese Fine Artists Association
and Chinese Traditional Painting Research
Institute. Group Exhibition, Lo Shan Tang
Collection, Hong Kong and Taipei. |
1987 |
Group Exhibition " The New Look of
Chinese Modern Art," National Museum
of History, Taipei. |
1986 |
Group Exhibition"
Contemporary Chinese Painting, : sponsored
by Chinese University of Hong Kong and Ming
Pao/ Group Exhibition " Abstract Ink
Painting," Taipei Fine Arts Museum. |
1983 |
Group Exhibition "Some
Recent Developments in Twentieth Century Chinese
Painting: A Personal View" .organized
by Hugh Moss for Hong Kong Arts Festival,
The Hong Kong Art Centre. |
1981 |
Group Exhibition sponsored
by Museum of history, Taipei and Museum Cernuschi,Paris |
1966 |
Traveling Exhibition "
The New Chinese Landscape" sponsored
by American Federation of Arts, New York. |
1960 |
Group Exhibition "100
Years of American Watercolor," Guild
Hall,East Hampton, New York. |
1958 |
"Crosscurrents,"
a show sponsored ed by Time,Inc. |
1957 |
Group Exhibition at Boston
University, Brandeis University. |
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Awards
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2004 |
Awarded the Eighth National
Award for Arts of Taipei. |
1995 |
Awarded Outstanding Architect
by R.O.C Government. |
1979 |
Complete Chang Hwa Bank
Building (Associate architect Haigo Shan) |
1967 |
Listed among the top ten
of Taiwan architects. |
1956 |
First prize, Youth Center
Design Competition sponsored by Architectural
Forum. |
1949 |
First prize, City Hall
Design Competition of Danville, lllinois. |
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