¡@¡@Chen, Ci-Kwan is a successful architect and excellent painter. To play both roles well and achieve what he has achieved is indeed a rare example globally or domestically. Moreover, he is also a great collector with a good collection of Asian, European and American artworks.

¡@¡@In the process of creating, he transgresses the regional and national borders and weaves both Chinese and the Western languages into his works. He applies the techniques of architectural drawings, his keen observation and good command of proportion and perspectives to his paintings. In the field of Chinese paintings, he develops a whole new direction with his unique view and uncovers the sense of the modern.

¡@¡@Tradition and modern, activity and passivity, are all harmoniously displayed in Chen's works. He prefers the landscape within landscapes*, simple elements transcend time and space. The mind follows the heart. Within the frame of a painting, he can move freely from the ancient to the present, form the interior to the end of the world.

   

The world of light and shadows reflect the waves of city lights and vague skylines. In the crowd of pigeons in the sky, the painter glances at the glittering sunlight. The broad vision of the sun and the moon, the mountain and the chasms are actually what he saw from the airplane. A Chinese literati with a mind of Western open-mindedness and sense of humor, he often expresses deep meanings in his apparent simple works. His themes might a monkey family or very delicate *pointed figures or even mosquitoes.

¡@¡@No matter if they are exquisite small-scale works or long scrolls of broad cosmos, Chen's works often manifest sophistication within simple touches. They may look natural and fluent, yet every stroke is precise and exact. Whether you look at them closely or from a distance, you can always find their beauty. If you look at the paintings from a distance, you can capture the grandeur and power and the exact and precise composition; if you look closely, you may be struck by their discretion and magnificent skills. Giving up the solely 'horizontal perspective', he applies 'supine angle', 'prone angle' and 'turning angle' to develop new ways of looking and putting into perspectives. Based on the old tradition, he is not restricted by it but transforms, reorganize, re-create the old forms, and finally return to the world.

¡@¡@ Such an understanding of life and the cosmos originates from his keen observation of nature, which is also the element in his painting. Whether his paintings are the mansions, landscapes, human figures, arch bridges, flowers and trees, we can always find part of the painting as a starting point: follow its touches and strokes, we seem to travel with the artist and experience such transcendental tranquility.**From a static point, the lines seem to become dynamic and take us into the world of the painting and lead us to change our viewpoints. We trace the line and think that we have reached its end, but surprisingly, it turns and twists and presents us with another world. The blank also creates a flowing space that extends our viewpoints to infinite possibilities. Our imagination is thus expanded and sensibility sharpened. We seem to enjoy a fuller life through such appreciation.

 
   
   
 
1921 Born in Beijing
1937 The Lu-gou Bridge Battle soon exploded. Wang Pan-youn, who had been in his hometown in Jiang-su.
1944 Bachelor of Architecture Engineering, National Central University, Chungking.
1946 After passing through many places, Wang arrived at Zhen-jiang and started to teach at the Dan-Yang Middle School.
1947 Went to Shanghai. But as the civil war continued to rage, he could not find a place to live and temporarily had to stay in a refugee camp.
1949 Master of Science in Architecture, University of Elinois.
1951 Worked with Gropius and the Architects Collaborative (TAC), Cambridge, Massachusetts.
1952 M.I.T. Instructor of Architectural Design.
1954 Designed Tunghai University Master Plan (Associate Architect I.M.Pei, C.K.Chang)
1960 Appointed Chairman, Architecture Department, Tunghai University, Taiwan.
1980 Appointed Dean of The College of Engineering, Tunghai University, Taiwan.
2007 June 5, died at the age of 86 in San Francisco.
   
Solo Exhibitions -
2003 Painting and Architecture of Chen, Ci-Kwan in Taipei Fine Arts Museum.
2000 Solo Exhibition, "A Retrospective: Chen Chi-kwan at the Age of Eighty," Beijing and Shanghai.
1999 Solo Exhibition, Ashmolean Museum, oxford University.
1998 Solo Exhibition, Art Center of National Central University.
1996 Solo Exhibition, Museum fuer Ostasiatische Museum, Berlin.
1991 Solo Exhibition, Rietberg Museum Zurich, Switzerland.
"Chen Chi-kwan Retrospective,"Taipei Fine Arts Museum.
1984 Solo Exhibition, Honolulu Academy of Arts Center.
1980 Solo Exhibition, National Museum of History, Taipei.
1977 Solo Exhibition ,"Inner Eye of Chen Chi-kwan," Art Gallery of Greater Victoria, B.C.Canada.
1974 Solo Exhibition, Hong Kong Art Center.
1969 Solo Exhibition, San Francisco Redevelopment Agency.
1964 Solo Exhibition, Mi Chou Gallery, New York
1963 Solo Exhibition, Mi Chou Gallery, New York.
1962 Solo Exhibition, "A Decade in Retrospect," The University of Michigan Museum of Art.
1961 Solo Exhibition, Mi Chou Gallery, New York / Solo Exhibition, Design Research, BostonSolo Exhibition, Columbia University, New York.
1955 Solo Exhibition, Margaret Brown Gallery, Boston / Solo Exhibition, Weyhe Gallery, NewYork / Solo Exhibition, The Lamont Gallery, Phillips Exeter Academy.
1954 Solo Exhibition, Margaret Brown Gallery, Boston / Solo Exhibition, Weyhe Gallery, New York.
1952 Solo Exhibition, M.I.T. Chmnridge, Massachusetts / Solo Exhibition, Margaret Brown Gallery, Boston
   
Group Exhibitions -
1994 Group Exhibition " Chinese Modern Ink Painting, "Taiwan Museum of Arts.
Group Exhibition, Inaugural Exhibition of Kaohsiung Museum of Fine Arts.
1992 The Second " International Ink Painting Exhibition," Shen Zhen.
1989 Group Exhibition, Lo Shan Tang Collection, Hong Kong and Taipei.
1988 Group Exhibition" International Ink Painting in Beijing" sponsored by Chinese Fine Artists Association and Chinese Traditional Painting Research Institute. Group Exhibition, Lo Shan Tang Collection, Hong Kong and Taipei.
1987

Group Exhibition " The New Look of Chinese Modern Art," National Museum of History, Taipei.

1986 Group Exhibition" Contemporary Chinese Painting, : sponsored by Chinese University of Hong Kong and Ming Pao/ Group Exhibition " Abstract Ink Painting," Taipei Fine Arts Museum.
1983 Group Exhibition "Some Recent Developments in Twentieth Century Chinese Painting: A Personal View" .organized by Hugh Moss for Hong Kong Arts Festival, The Hong Kong Art Centre.
1981 Group Exhibition sponsored by Museum of history, Taipei and Museum Cernuschi,Paris
1966 Traveling Exhibition " The New Chinese Landscape" sponsored by American Federation of Arts, New York.
1960 Group Exhibition "100 Years of American Watercolor," Guild Hall,East Hampton, New York.
1958 "Crosscurrents," a show sponsored ed by Time,Inc.
1957 Group Exhibition at Boston University, Brandeis University.
   
Awards -
2004 Awarded the Eighth National Award for Arts of Taipei.
1995 Awarded Outstanding Architect by R.O.C Government.
1979 Complete Chang Hwa Bank Building (Associate architect Haigo Shan)
1967 Listed among the top ten of Taiwan architects.
1956 First prize, Youth Center Design Competition sponsored by Architectural Forum.
1949 First prize, City Hall Design Competition of Danville, lllinois.
 
   
   
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