很久以前，但沒有那麼久，曾有一段時間，人們不知道他們自己是誰。
那裡有土地和很高的天，山丘後有另一座山。山丘的更遠處有另一座山丘，在那座山丘後又有另一座山，連綿不絕。
沒有人知道第一座山丘從哪開始，但人們確信那座山丘存在著無限開展的橘子園，而那裡還有一棵長滿橘子的巨大樹木。
在還沒有任何人知道的很久之前，當季節來臨，橘子的種子便發芽開花。
在當時，在這座山丘的這裡、那裡、每一處人們知道的地方，人們吃著、睡著、生氣著並笑著。
在沒人知道的遙遠的山丘，季節來臨，橘子成長。
那時，在每個人都知道山丘上，這裡和那裡的人們對橘子園外的一切一無所知，吃著、睡著又醒來，笑著。
然後季節到了，果實再次掉落，人們一如往常的在這裡那裡睡著、醒來、吃著、笑著，直到季節過了。
好像什麼都沒有發生過一樣。

The hilltop of mandarin field. The girl liked mandarin oranges. She was in found of the cute looks and found the sweet and sour scent quite refreshing. But what she really enjoyed was to eat them. She liked to eat the oranges. But when she start eating she always ends up finish eating. The girl knew that the mandarins will be gone when she eats them. So she always questioned herself whether to eat or not to eat. One day, the girl was having a difficulty to decide as usual. Then came a well-dressed gentleman from her side of the hill. He was wearing hat, and he was quite tall. “You should always be at peace.”Says the gentleman, and walked away to another hill.

這個女孩喜歡橘子。她發現它們可愛的外表和酸甜的味道，那讓人感覺清爽。
但她真正享受的是吃掉它們。
她喜歡吃這些橘子。但當她開始吃時，總要把它們吃完才罷休。
女孩知道橘子會被她吃光光，所以她總是自問，到底是吃還是不吃。
有一天，女孩照常做著吃或不吃的困難決定。
有一位衣著得體的紳士從她這邊的山丘走來，戴著帽子，身高很高。
“你應該一直保持平靜。”
這位紳士說著，然後走向另一座山丘。

Only the one wanting to hear it is heard. Only the one not wanting to hear it is heard. Sound voice and noise the noise is a reality. The intention in the sound word mean it. The reality ahead a constant sound continues it becomes synonymous with there is noting too. Silent and silent and silent. There even not silent.

Sound of start of the world. Of course it has not heard it. Does the flow start? Consideration for whom will be start start the world? When the tree falls in the interior of none of forests that are, is the sound that the tree falls done? Who on earth hears the sound done in none of the places that are? Does existence exist in the place without the sound either? Where does the sound that should have existed there till then go when oneself loses the existence?

The cooped-up feeling come suddenly on a certain morning. Not me oneself but sense sense that exists in head another world or exists.

The one heard even if keeping silent. If it hears it. Do not you hear it? Or is it the one that always flow sin to the head without any relation to the intention? Will is it only a sound or it will be my consideration? Where do you come really with consideration?

It is a thing of a lime the thing, and now that a rose in this world. The thing and the memory of a lime in the thing and the memory that there is a new life that there are many things of dying. And predecessors who have already died that will arise in the thing and the future before long will be tings before long like the thing and the relation…etc. things of family, things of kin, things of I and these time of disappearing now.

However the situation h the situation has been slowly advanced from the matter for two months.
Or is it a place in which it was said that it would not advance at all?

There is a thing ob being liberated from a certain kind ob restraint by losing one.

However there is however. However there is not staying. However because there is only one truth of the situation though it has picked up though it is deteriorating.

想聽就會聽見，不想聽也會聽到，聽見聲音和噪音，噪音是實際存在的東西。
聲音裡的含意，文字可以表達。前頭的現實，聲音持續不斷，直到也變成無意義的同義字。寂靜、寂靜、寂靜，即便沒有寂靜。

世界起源的聲音，當然它不會被聽見。
漲潮開始了嗎?
思考著是甚麼啟動了這個世界?
在甚麼都沒有的森林裡，樹木在裡頭倒下，會發出倒塌聲嗎?
在萬無一物的地方，究竟是誰聽到聲音?
在沒有聲音的地方，也會有生命的痕跡嗎?
聲音在哪裡?它會一直存在，直到自身失去了生命才消失嗎?
在那個遙遠山丘的另一邊。

在某個清晨，突然有種被禁錮在狹小空間感覺。不是我自身被囚禁，而是感覺到腦袋裡存在另一個世界。

即使保持沉默，還是聽得到聲音。
假如聽到了聲音。
難道你沒聽到？
或者這聲音總是一直毫無任何意圖地，把罪惡流進腦袋？
這只是一個聲音或者這是我的思慮？
你從哪裡來?真的帶著思考嗎？

曾經是檸檬，現在可能成了玫瑰。
真實與記憶中的檸檬也會有新的生命，有生就有死，有死就有生。逝去的祖先會以各種形體或物體再生，不久的將來也會再次有相互關係，可能成了家人、親戚、我自己，而現在的人事物又將消失。

然而，事情的狀況已經慢慢地往前進展兩個月了。
還是說，事情一點進展也沒有？

失去，會讓事物得以從某些限制裡釋放。

然而啊然而，然而不會一直停留。因為事情只有一個實情，儘管它會被拾得，儘管它會惡化。

Dawn. Long Time at Bone Time. Thing to compose screen clipping lt does not support it. The reality is already the opposite here in each person in the person situation though it does not know even if it is a bad thing even if it is a comparison good thing though not known how to it receives it. Time when it is possible to do and alive drawing was done in front of students occasioning at the time of the lecturer three years ago in an art system special school is originally a prototype in this work. At the beginning the scene of “2001: a space odyssey” was drawn with apelike (kigurumi) at that time. The drawing did not complete, and under such a condition, had been left in the atelier.

There was confidence only in drawing a picture the feeling needed truly by itself was able to be expressed on paper about ten year has passed and it got sick mentally the uneasiness of drawing a picture grew severe it became impossible to find out a meaning for one to have done it is still alive where is.

It little neck clam is drawn with signs of the drawing left this time.It is a slogh from the character of sweet who continues since before, and appearance of my own chance at the same time, too.

黎明。
在遠古久遠的時代 。
用屏幕剪輯的方式構成事件是行不通的。
在各自的處境裡，每個人的現實相對面已經在這裡了，儘管它的樣子不明，即便它是不好的事，即便相較於壞，它是好事，儘管不知道好與壞是如何相互接應的。
如果時間可以回到三年前，在一所藝術體系專門學校裡，當臨時講師時在學生面前畫畫，是這幅作品的最初原型。
科幻電影”2001太空漫遊“的故事開始，描繪了像猿猴(布偶變裝)的人類。畫雖沒有完整，在那樣的情況下，已經被留在畫室了。

10年來，只有在畫圖的時候，才會有自信，真實的情感來了才能夠表達在畫紙上。精神上的不舒服，圖畫裡的不安越發強烈，變得不可能從中找到已經完成的意義，然而它還在原來的地方。

這次在畫的左邊畫了小頸蛤圖像，它是從以前延續的快樂角色，同時也是我自己改變了的表相。

I was and was a line when noticed if it has these casual days consciousness will not got exist of self but just as he is conscious death is not acquired for an idea colander simultaneously with raw fear of death which continues as long as it is a line distrust to existence it is born by zero and as it returns to zero what is uneasy? The thing being a line itself feeling of despair that the only solution is the fear it self. TENCE

偶然的日子裡，發覺自己是一個界線，
意念裡不會有自身的存在，只有他會意識到死亡，信念無法同時過濾持續不斷的死亡恐懼，
只要它是一條線，懷疑存在是從零開始，
而最終會回到零，甚麼會令人不安?
成為界線本身，有一種絕望的感覺，而惟一的解決方法是面對恐懼的本身。